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"Misfortunes seem to crowd upon us," says Lady Rodney, bitterly. Mona, not attempting to reason with her again, shakes her head despondingly, and leaves the cabin with Geoffrey at her side. "Well, just after luncheon Letitia, your maid, brought me a note. I opened it. It was from Paul Rodney, asking me to meet him at three o'clock, as he had something of importance to say that concerned not me but those I loved. When he said that," says Mona, looking round upon them all with a large, soft, comprehensive glance, and a sweet smile, "I knew he meant you. So I went. I got into my coat and hat, and ran all the way to the spot he had appointed,—the big chestnut-tree near the millstream: you know it, Geoff, don't you?".
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"'Perdition catch my soul, but I do love thee,'" replies he, quite as softly. "I quite forgot it," she says, coloring with sudden fear, and then slowly, cautiously, she draws up to view the hated pistol he had left in the library the night before. She holds it out to him at arm's length, as though it is some noisome reptile, as doubtless indeed she considers it. "Take it," she says; "take it quickly. I brought it to you, meaning to return it. Good gracious! fancy my forgetting it! Why, it might have gone off and killed me, and I should have been none the wiser." "Why, Mona, what is this?" exclaims he, his manner changing on the instant from indignation and coldness to warmth and tenderness. "You are crying? My darling girl! There, lay your head on my shoulder, and let us forget we have ever quarrelled. It is our first dispute; let it be our last. And, after all," comfortably, "it is much better to have our quarrels before marriage than after." "Come in, Dorothy. I want to speak to you.".
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